Yet pretty quickly, Reitman slams headlong into The Child Actor Problem.
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It has that Earth-toned analog tape deck sensibility that so many contemporary movies lack, where you can feel the dirt on your skin and the breeze on your face when you watch it.
The ’80s gave us a bounty of goofy kids adventures shot with the care of seventies auteur cinema, and, at least texturally, Afterlife is a worthy homage. The picturesque setting is a fresh twist and the best thing about Ghostbusters: Afterlife is probably Reitman’s flair for texture and tone. Meanwhile, Trevor - all sharp angles and shaggy hair, like Wiley Wiggins from Dazed and Confused crossed with a young Freddy Mercury - meets his crush while working at the local drive-in: Lucky, played by Celeste O’Connor. Phoebe finds a mentor in her Summer school teacher, Mr. (85% of kids shows are like this now, please make it stop.) Podcast seems like he escaped from one of those insufferable Nickelodeon sitcoms where the kids are all wildly overstyled and loudly snarky, like an OshKosh B’Gosh showroom possessed by the ghost of Joss Whedon. Nerdy Phoebe soon makes a friend, in the form of “Podcast” (Logan Kim), an obnoxious kid with bouffant hair and too many layers of clothes whose shtick is constantly recording a podcast.
#Ghost buster movie kid cast full#
He has bequeathed his crumbling house full of wacky ghost gadgets to his estranged heirs - daughter Callie, played by the luminescent Carrie Coon, grandson Trevor, played by Finn Wolfhard, and granddaughter Phoebe, a budding scientist and spitting image of the old man (by which I mean they wear the same glasses) played by McKenna Grace.Įvicted from their apartment, the Spengler heirs are forced to try to make a new life in this podunk town on the plains where strange doings seem afoot. The plot concerns Egon Spengler, who has died as a recluse on a ramshackle farm in the fictional village of Summerville, Oklahoma (it was actually shot in Alberta). Instead, Afterlife is more like a kids adventure film, beautifully crafted but also a bit confused. At some point, he seems to have signed off, and with Murray, Aykroyd, and Hudson featuring prominently in the advertising for Ghostbusters: Afterlife, I guess I assumed it was going to be more of a direct sequel to the original, closer to the movie Dan Aykroyd probably wanted before he got talked into Ghostbusters 2016. Sony spent millions going to increasingly elaborate lengths just to cajole an apathetic and notoriously aloof Bill Murray into reading a script. Which naturally raises the question: what is Ghostbusters now? A comedy franchise? A Halloween costume? Teenage Mutant Ninja Turtles? Is it still in some way an eccentric Canadian’s drug-addled fever dream?īefore 2016 there was at least a decade of various people working on sequel ideas. So it was we got the sequel, the cartoon, 2016’s gender-swapped version, etc. Yet it was kooky and fun, and because it was so easy to brand, with a catchy theme song and a perfect logo, it almost instantly became a phenomenon. It was 1984 after all, and the climax of the movie involved a possessed marshmallow destroying New York City. The resulting movie is very strange, but just amiable enough to work, a zany take on demons and ancient myth stapled together with wry smirks and, I assume, lots of cocaine. Aykroyd has always been a little kooky, and Ghostbusters felt a bit like his buddies all got together to humor him, partly indulging his obsession with the supernatural, partly just having fun with it even if they didn’t entirely buy-in. Ghostbusters began, of course, as a strange, “supernatural comedy,” starring Dan Aykroyd, Harold Ramis, Bill Murray, Ernie Hudson, and the gang.
As an adult it’s merely so-so, something you’d happily sit through with your kid and probably forget the next day. Afterlife looks great, and I can imagine loving it if I was 9.
Reitman, the seemingly overqualified director of Juno, Up In The Air, Young Adult, etc., turns out to have a knack for 80s-style Amblin Entertainment-style filmmaking. Ghostbusters: Afterlife, directed by Jason Reitman, whose dad directed the original, is more of a Muppet Babies take on the material, attempting to restart the franchise with both a younger cast and a younger audience. In retrospect, Finn Wolfhard from Stranger Things joining the cast should’ve been a tipoff. Maybe I’m dumb, but I didn’t expect Ghostbusters: Afterlife it to be what it is - which is, essentially, an 80s-style kids movie in the vein of The Goonies. Because Ghostbusters has been so successfully franchised over the years, it’s hard to know what to expect from a new iteration.
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